Sunday, 6 December 2009

I got called a mong in the library the other day.

We played a gig yesterday in Birmingham and it was ace.

Currently reading Manhattan Transfer. S'alright, s'pretty good even

Working at well-known health food chain (Holland & Barrett)

Recording Bumblebees in January hopefully, it's taking us forever to get organised but itll be so incredibly worth it.

Tuesday, 20 October 2009

Thursday, 8 October 2009

Loads of Old Songs

I can see how people find this blog, like I mean what links people click to get here. Usually it's only read by my three or four friends but recently people having been coming here looking for new music. Which is weird cos I never ever really write about that.

Anyway here are five really great songs that I think are great and that readers here should check out by listening to.

Jennifer by RESCUE AID SOCIETY is cute powerpop that changes key a few times. I'm not very good at doing that normally so it makes me proud. I wrote it with The Lauras in mind, but Bert's songs were about a million times better.

The Stupidest Boy Alive by RESCUE AID SOCIETY is, or was, my attempt at a Timbaland production. I think it comes close in some ways, the fizzy synths, the kind of rollicking drums, massive overcompression, but far too twee and I don't shout "ey!" at any point.

Real Life by RESCUE AID SOCIETY is the best thing I have ever done, by a mile, and pretty much got me into uni. Dai, who I think is head of Arts at Brookes, said I sounded like Pete Burns. I couldn't convince him otherwise. God this song is so good. Where did those verse chords come from - heaven?

Right Right Now Now by RESCUE AID SOCIETY uses a Beastie Boys acapella and makes it amazing by putting my music underneath it. I did it probably a couple of months after the first Go! Team album came out, and then stuck the acapella on a bit later. I really think I could probably do this for a living...if I wanted to.

So When You Said by RESCUE AID SOCIETY is when me and Bert had this idea of getting loads of people to write songs every month and make it into some kind of club....or something. The first one was going to be about ghosts, so I did this one.

That's it. Oh and Don't Call It A Comeback by RESCUE AID SOCIETY is also great. With a guitar solo when you least expect it. It shocked me, anyway.

Every song by my favourite new band Rescue Aid Society is available here. They are all more than a year old because I don't have any ideas anymore. And I'm in a real band.

Tuesday, 6 October 2009

Football is Art

I had to do a composition in music yesterday. I did it based on the movements of the Argentinian football team during the build-up to their second goal against Serbia in the 2006 World Cup. I think it went down really well. Football is pretty much the best type of art. It's like jazz but doesn't make me feel sick.

My piece was partly inspired by Harrison Birtwistle, Morton Feldman, and Steve Reich, but mainly by this:



I'm really enjoying my second year so far. Mostly when I'm not studying I'm playing Mario Kart. But mostly I'm studying.

Monday, 28 September 2009

Mind And Senses Purified

There is a new ruling which might force manufacturers to limit the maximum volume on mp3 players. That is about time. Now I would like a similar law to limit volume at gigs and clubs. It's so annoying that like 90% of gigs (and 100% of clubs) are way too loud to be properly enjoyed, or even properly experienced. You miss basically all the stuff that isn't drums and bass. So drum'n'bass is safe.

Had my first day back at Brookes today and it turns out there is quite a bit of work to be getting on with. I think I have convinced myself that I want to get a first. Is that stupid? I think it might be. Maybe I should partially give up now. Roz is doing a Japanese module, and it is kinda making me want to learn it as well. Or it was until I found out they have three different alphabets.

Went to an 'I Heart 90's' night on Saturday.

Monday, 21 September 2009

Golden Egg

One more reason to download music illegally - James Blunt might lose his career.

Tuesday, 15 September 2009

Marking

Hrrm. The Pitchfork reviews of the Beatles re-issues didn't really do anything other than prove that rating music out of 10 is entirely pointless, and becomes even more arbritrary when give pretty much all of them a 10.0 - it's such a big statement thing, designed to attract attention. Numbers are for idiots. And they give Let It Be 9.1, despite them slagging it off all through the review. It's a crap album, that doesn't need/deserve deifying. It makes me annoyed a bit.

(And then they gave the Stone Roses album a 10! What a flippin joke.)

I went to Bestival on the weekend. It was pretty good. The best band I saw was Kraftwerk. They were phenomenal. The next best was Dirty Projectors. The did a couple of new ones (I think) and the rest were from Bitte Orca. The harmonies are so incredible. It's like a different type of music. Wave Machine were also good.